My progress on the Aran lace sweater is creeping along. I have found that the non repeating lace pattern in the front panel is hard to keep track of. The back panel is a much easier repeat and I soon found that I didn’t need to use the chart. But the front panel required the chart the whole way up the front, although I did begin to have a sense of what was going to happen in the alternate rows. I’ve finished the front including the shaping for the neck and shoulders, and now am working on the back. The pattern calls for identical shaping for the neck and shoulder on the back, something I’m not sure I want to do (I usually have a higher neck at the back of the sweater). Right now I’m thinking of ways I can alter the pattern to avoid that dip in the back.
After I knit the shoulders together (three needle bindoff), I will pick up stitches around the arm edges for the arms. There’s some complicated short row shaping for the arm at that point (which I feel confident that I can do), but I may eliminate some of the decreases down the arm, as I want a little more ease in the arm. It’s interesting that the pattern designer elected to use plain stockinette stitch in the arms, rather than the moss stitch of the body. Fine with me, as the moss stitch is more complicated knitting; there is a band of aran lace that travels down the top of the arm.
Sweater back, working on shoulder decreases
Monday Studio Painters group has more people coming each week. Lots of the group are from the Monday Plein Air group that paints in the summer. We were talking yesterday about the value of continuing to paint, even though it’s still too cold for plein air. I’ve also joined the Palette Knife group at the Art Center, so I have two paintings to share from the past week:
“Winter on the Marsh” Oil on Board 16×20
The Monday members painting group is still getting together to paint indoors in the new studio (“Sally’s Studio”) at the Art Center. I really enjoy the company and the feedback when painting with this friendly group of artists. Here are my most recent paintings (We missed one week due to a big snowstorm.):
Shivericks Pond 12×16 oil on board
Ice House Pond, 12c16 oil on board
Interweave Knits this fall published an issue filled with nice patterns. I’m trying one using some of my natural colored hand spun wool: an Aran Lace pattern. The panels have the look of aran patterns, but they are typical lace patterns. The sides are knit in moss stitch. Something new for me and so far so good.
View of the front panel
View of the back panel
The reason I wanted to try this pattern is that the sweater is knit in the round up to the underarms; then the front and back are knit back and forth to the shoulders, which are then knit together and the neck band is knit in the round. At this point, stitches are picked up around the arm holes and the arms are knitted from the top down (with some short rows to shape the shoulder cap). Most Aran patterns are knit in pieces and then sewn together. Lots of sewing and lots of ends to darn in. I’ve never tried this particular method of sweater knitting, and if it works, it will apply to doing a traditional Aran as well. A couple of the other patterns in the fall issue show sweaters knit from the top down. That’s also something I want to try. I love circular knitting and have done a lot of Elizabeth Zimmermann patterns, both plain and with color patterns. So for many reasons, I really loved this particular issue of Interweave Knits magazine.
The blizzard is keeping us indoors today, so I used the morning to finish off the Aran Sweater. It’s a heavy sweater, but the handspun merino makes for a smooth hand and the aran patterns are stretchy making for a really comfortable sweater that is quite warm. Perfect for winter!
Here the shoulders have been knit together, the neck band knitted and the sleeves attached.
The sweater is inside out and pinned together for the sewing of the side seams.
Sweater completely finished.
My summer plein air painting group is so enthusiastic that they have organized to get together on Monday’s at the art center to continue to paint. (The art center has a Monday afternoon open painting time for members.) I really enjoy painting with others and profit from the good feedback from others as I paint! Here’s a previous week’s painting (which I’m going to put into the next art center show). I plan to be there painting this afternoon.
Autumn at Sandy Neck, 12×16 oil on canvas board
Two years ago I knitted a white handspun nordic sweater for my husband. He liked it so much and has worn it so much, that he asked for another one!
White Nordic Sweater, natural white handspun
The patterns are involved and tricky to do, but I said yes! I’ve been working on the new sweater since before Christmas and am working on the second sleeve now, with the front and back finished. I decided to use the purple/brown handspun that I’ve pictured here previously as I was spinning it; I had two pounds and I thought that would be plenty until I started knitting. It became clear that two pounds just wouldn’t be enough and I had no way of getting more of the exact multicolored fleece that I had spun. We decided that interspersing a coordinated gray handspun in the top half of the sweater might work, so that is what I’ve done. The photo makes the purple more intense than it is in person. I’ll have to post the finished sweater here in a few weeks. Below is a photo of the fronts, backs, and sleeves. The front and back have to be bound together at the top and the neck band then will be knitted. Then I’ll sew in the sleeves and finally do the sleeve and side seams. Here’s the work in progress: